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The digital cinema IMAX projection system, debuted in , is designed to use with shorter 1. For 3D presentations, one projector is used to display the image for each eye, while 2D presentations use the superimposed images to allow for a brighter foot lambert image.
The Digital IMAX projection system includes a proprietary IMAX Image Enhancer that modifies the output of the digital media server based on feedback from cameras and microphones in the auditorium, and maintains alignment with sub-pixel accuracy.
Mainly because the system facilitates inexpensive distribution of IMAX features, the company announced in February that they were re-renovating specially selected locations around the world to present both 70mm analog as well as digital presentations.
To do so, IMAX developed a rail system that moves the projectors in and out to accommodate either a full-frame film print or a digital-only release.
The system also features a new channel surround sound system, which adds an additional speaker on either side of the theater as well as four new overhead speakers.
While still not matching the theoretical resolution of traditional IMAX film, which is estimated at up to 12 thousand lines of horizontal resolution on the 65mm camera negative 12K and approximately 6 thousand on a 35mm release print 6K ,  the new laser system features dual- 4K resolution projectors, each capable of displaying four times the detail of one Digital IMAX projector.
Like Digital IMAX, images from the two projectors are projected superimposed on each other with a half-pixel offset, using super-resolution imaging , which makes the perceived resolution greater than 4K.
On April 24, , IMAX announced that they would begin rolling out a new single-unit version of their laser projector system later that year, with this iteration designed to replace the IMAX Xenon digital projection system for 1.
The increased resolution lets the audience be much closer to the screen. Typically all rows are within one screen height [ citation needed ] — conventional theatre seating runs 8 to screen heights.
Fleet Science Center began searching North America for a large-format film system to project on the dome of their planned The standard IMAX projector was unsuitable for use inside a dome because it had a 3.
IMAX Corporation redesigned its system, adding an elevator to lift the projector to the center of the dome from the projection booth below.
In ,  Ernst Leitz Canada, Ltd. The lens is aligned below the center of the frame, and most of the bottom half of the circular field falls beyond the edge of the film.
The part of the field that would fall below the edge of the dome is masked. When filming, the camera is aimed upward at an angle that matches the tilt of the dome.
When projected through a matching fisheye lens onto a dome, the original panoramic view is recreated. IMAX Dome theatres are used in theme parks and many North American museums, particularly those with a scientific focus, where the technical aspects of the system may be highlighted as part of the attraction.
The projection room is often windowed to allow public viewing of the equipment in operation, and it is often accompanied by informational placards like other exhibits.
For some theaters, before the show begins, the screen can be backlit to show the speakers and girders behind it.
While the majority of museum installations focus on educational and documentary films, on special occasions entertainment films are also shown, such as Charlie and the Chocolate Factory at the Oregon Museum of Science and Industry.
Due to the age of the IMAX Dome format as well as its entirely analogue nature, some theatres may opt to replace their existing IMAX Dome systems with newer, more versatile digital systems.
To create the illusion of depth, the IMAX 3D process uses two separate camera lenses that represent the left and right eyes.
Two separate rolls of film are used to capture the images they produce. By projecting the two films superimposed on the screen and using one of several available methods to direct only the correct image to each eye, viewers see a 3D image on a 2D screen.
One method is to use polarizing filters to oppositely polarize the light used in projecting each image. The viewer wears glasses with polarizing filters oriented to match the projector filters, so that the filter over each eye blocks the light used to project the images intended for the other eye.
In another method, the two projections rapidly alternate. While one image is being shown, the projection of its mate is blocked. Each frame is shown more than once to increase the rate and suppress flicker.
The viewer wears shutter glasses with liquid crystal shutters that block or transmit light in sync with the projectors, so each eye sees only the images meant for it.
Variations on IMAX included the 48 frames per second IMAX HD process, which sought to produce smoother, more lifelike motion, while also reducing the blurring of moving objects, by doubling the normal film rate.
Because 70mm film and projectors are costly and difficult to mass produce, and because the size of auditoriums that house full-size IMAX screens make them expensive to construct, IMAX debuted a digital projection system in to use with shorter 1.
The digital installations have caused some controversy, as many theaters have branded their screens as IMAX after merely retrofitting standard auditoriums with IMAX digital projectors.
Another disadvantage is the much lower resolution of digital IMAX. The technology has a maximum perceived resolution of 2. The VR experience was intended for short but interactive videos.
The expense and logistical challenges of producing and presenting IMAX films have led to approximately 40 minute shorter running times than conventional films.
Most are documentaries suited for institutional venues such as museums and science centers. A film about the Mars Exploration Rovers , titled Roving Mars , used exclusive data [ clarification needed ] from the rovers.
An early attempt at presenting mainstream entertainment in IMAX format was The Rolling Stones: Live at the Max , an minute compilation of concert footage filmed in IMAX during the rock band's Steel Wheels tour , edited to give the impression of a single concert.
In the s, more entertainment short films were created, notably T-Rex: Back to the Cretaceous in , and Haunted Castle in both in 3D. In , Disney produced Fantasia , the first full-length animated feature initially released exclusively in the IMAX format.
Before the end of the s, theatrical features were deemed impossible to run in IMAX venues at the time, as there was a technical limitation on the size of the film reel where films had to run around two hours.
Their compilation CyberWorld was the result, which contained new original animation and IMAX-presented versions of computer animated tests and music videos.
Cyberworld even presented open-matte 3D versions of the bar sequence from Antz and the " Homer3 " segment from The Simpsons ; both coincidentally were animated at Pacific Data Images.
It was originally planned as a standard theatrical release, but in agreeing with the company to release the film, the IMAX sound system incorporated a multi-channel and multi-layer stereo system for the orchestrated soundtrack, similar to the Fantasound system Walt Disney had envisioned for the original film in The company agreed to Disney's terms and conditions to gain the exclusive first showings of the film.
Although Fantasia had a lukewarm financial run, the critical praise for its use of the IMAX format convinced Disney to put more releases in the giant-screen format in the pipeline.
New digital masters were created from the original CAPS production files and select scenes of animation were cleaned up to make use of the high resolution IMAX film negatives.
But all of these releases had underwhelming box office returns and Disney canceled later big-screen re-releases, including Aladdin.
Pictures especially embraced the format beginning in with the two Matrix sequels, Reloaded and Revolutions. Progressively other studios became further interested in releasing films in IMAX through the DMR process and have earned success through it.
In May , J. Both movies were filmed in high-resolution cameras and the digital negative ratio was equal to that of the IMAX Digital frame.
Skyfall increased the visual information of the entire film while Amazing Spider-Man optimized the finale battle with the Lizard.
The camera was used first to film select sequences in another Marvel production, 's Captain America: Civil War.
This special digital intermediate technology let IMAX venues show films shot on 35mm for conventional theaters.
Because of projection limitations at the time, the studios had to edit Apollo 13 and Attack of the Clones to have a shorter playing time.
As IMAX updated the system and expanded the size of the platters, the later DMR releases did not have this limitation; current platters provide a run time of up to minutes.
Reviewers have generally praised the results of the DMR blowup process, which are visually and audibly superior to the same films projected in 35mm.
After The Lion King in , no Hollywood studio engaged in re-releasing and restoring classic films through the IMAX DMR process until although ongoing conversion of new releases continued and continued to grow in number.
The film, before it underwent DMR, was already restored in a 4K digital intermediate with 7. Many recent features have employed IMAX cameras for select scenes, however, before no full-length feature film was shot entirely using IMAX cameras due to the numerous difficulties presented with the format — the cameras were much larger and heavier than standard cameras and the noise they produced made dialogue recording difficult.
According to the film's press notes, this was the "first time ever that a major feature film has been even partially shot using IMAX cameras".
Nolan said that he wished that it were possible to shoot the entire film in IMAX: "if you could take an IMAX camera to Mount Everest or outer space, you could use it in a feature movie.
Chairman and president of the IMAX Corporation Greg Foster stated that IMAX plans to run the film in its theaters for two months, despite only being contractually committed to run the film for two weeks in some theaters.
On July 9, , Bad Robot J. Adele 's music video " Hello ", released in , became the first music video that was partially filmed with IMAX cameras.
IMAX cameras were also used hand-held for the first time, as Nolan was advised by both Steven Spielberg and Ron Howard that it was the best way to shoot on vessels.
Dunkirk received the widest release on 70mm IMAX since his last film, Interstellar , with the film being released on the format in 37 theaters around the world.
These show space movies, including footage shot on missions and narrated by celebrities. Formerly largest screen in the world, closed for redevelopment until Current largest screen in the world.
From Wikipedia, the free encyclopedia. This article is about the IMAX motion picture film format. For the car known as the Hyundai iMax in some markets, see Hyundai Starex.
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